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DSGA Video with Narration

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 DSGA Video with Narration https://digsup.my.canva.site/dsga-web https://chambersarts.godaddysites.com/ Tom R. Chambers is a visual artist, and he is currently working with the pixel as ​Suprematist/Geometric Abstractionist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ​("Black Square Interpretations"). His "My Dear Malevich" project has received international acclaim, ​and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" ​exhibition in conjunction with the "100 Years of Suprematism" conference at the Atrium Gallery, ​Harriman Institute, Columbia University, New York City (2015). During the early 2000s, Chambers began to look at the pixel within the context of ​Suprematist/Geometric Abstractionist Art. He equated the pixel with the works of non-objective ​artists like Wassily Kandinsky, Kazimir Malevich, Josef Albers, Barnett Newman, Mark Rothko, Ad ​Reinhard
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Circularized DSGA

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"The circle is a powerful symbol of unity and wholeness in art," so it's said. Tom R. Chambers likes this thought. Its continuous shape represents the interconnectedness of all things. It suggests a sense of completeness and oneness. Artists incorporate circles into their artwork from time to time. He has chosen to "circularize" the entire artwork ... several of the pieces from his "Digital Suprematism - Geometric Abstraction project (  https://digsup.my.canva.site/dsga  ) ... rather than introduce separate circles into the composition. He supposes the "circularization" of the entire piece compounds the aforementioned notions. 
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