DIGITAL SUPREMATISM

Tom R. Chambers works with his "Digital Suprematism - Geometric Abstraction" (DSGA) project ( https://digsup.my.canva.site/dsga ) by placing the art pieces within Kazimir Malevich's "Black Circle" zone. The pieces become rounded due to the zonal effect ("gravitation"), and they "drop" to the center-bottom of "Black Circle". Malevich's "Black Circle" is configured onto a white background close to its original positioning in 1915. Kazimir Malevich's "Black Circle" depicts a monumental black circle floating on a flat white background. It is, along with his "Black Square" of 1915, one of his most well-known early works in this field, depicting pure geometrical figures in primary colors. The motif of a black circle was displayed in December 1915 at the '0.10' Exhibition in St. Petersburg, Russia. The exhibition coincided with the publication of his manifesto "From Cubism to Suprematis

 Spherical DSGA Digital Suprematism - Geometric Abstraction https://digsup.my.canva.site/ https://digsup.my.canva.site/dsga

Tom R. Chambers works with his "Digital Suprematism - Geometric Abstraction" project (  Chambers Arts (godaddysites.com)  )  by rotating ... 360 degrees at 90-degree intervals ... several of the pieces within a square as a constant placeholder. This approach could be considered "Constructivism" since the pieces are repeated four times, reconfigured (through rotation), and assembled as a whole, or complete unit within the square placeholder. Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited in 1915. The term itself was invented by the sculptors Antoine Pevsner and Naum Gabo, who developed an industrial, angular style of work, while its geometric abstraction owed something to the Suprematism of Kazimir Malevich. (Wp) Digital Suprematism: https://digsup.my.canva.site/ https://digsup.my.canva.site/dsga