BSI-5/BLACK SQUARE SPACE
BSI-5/BLACK SQUARE SPACE
Chambers utilzes images of the Universe (courtesy of HubbleSite [http://hubblesite.org]) in combination with Kazimir Malevich's "Black Square" to confirm his (Malevich) interest in Astronomy and connection of his Suprematist work with the Universe. The "Space" images have been pixelated to show abstractions - configurations of pixels - running throughout the "Black Square" and beyond ("white abyss"). Malevich's "Black Square" becomes monolithic/monumental. Malevich called himself, "President of s(S)pace".
According to "The Cosmos and the Canvas", Aleksandra Shatskikh, Malevich at Tate Modern, July 30, 2014 (Tate Etc., Issue 31, Summer 2014):
Kazimir Malevich called his abstract compositions Suprematism, which in its first stage meant the dominance of color energy and its transformations in painting. For him, the life of color as such was linked to the Universe: objectless color generated the sensation of its objectless, imageless being.
According to him, the "white abyss" of the background, whose whiteness was conditioned by the extreme incandescence of energetic tension in the Universe, was the manifestation of s(S)pace on Suprematist canvases.
In late 1917 the painted elements became increasingly dynamic. Their sharp edges cut into the whiteness, and as the concentration of color decreases, the boundary between figure and background disappears.
Malevich called this process "dissolution", a term with Cosmic connotations: "The Cosmos is dissolution. The Earth is a small splitting." Through the dissolution of color by the "white abyss" in Suprematism, the phenomenon of non-material time, linked to non-figurative space, appeared more often. In a 1918 poem, Malevich developed this idea:
"Each shape has a real type of time and the coloration of colors is the power of the time's oscillation, time's movement creates shape while simultaneously coloring it and consequently the speed of time can be defined by color."
Exhibition:
"Black Square Space" ("Black Square Interpretations", International Digital Art Gallery (D-ART), 22nd International Conference on Information Visualization and 15th Conference Computer Graphics, Imaging and Visualization, University of Salerno, Salerno, Italy, July 10-13, 2018. Organized in London, England. (https://dart20189.wixsite.com/iv-2018/tom-chambers)
Chambers utilzes images of the Universe (courtesy of HubbleSite [http://hubblesite.org]) in combination with Kazimir Malevich's "Black Square" to confirm his (Malevich) interest in Astronomy and connection of his Suprematist work with the Universe. The "Space" images have been pixelated to show abstractions - configurations of pixels - running throughout the "Black Square" and beyond ("white abyss"). Malevich's "Black Square" becomes monolithic/monumental. Malevich called himself, "President of s(S)pace".
According to "The Cosmos and the Canvas", Aleksandra Shatskikh, Malevich at Tate Modern, July 30, 2014 (Tate Etc., Issue 31, Summer 2014):
Kazimir Malevich called his abstract compositions Suprematism, which in its first stage meant the dominance of color energy and its transformations in painting. For him, the life of color as such was linked to the Universe: objectless color generated the sensation of its objectless, imageless being.
According to him, the "white abyss" of the background, whose whiteness was conditioned by the extreme incandescence of energetic tension in the Universe, was the manifestation of s(S)pace on Suprematist canvases.
In late 1917 the painted elements became increasingly dynamic. Their sharp edges cut into the whiteness, and as the concentration of color decreases, the boundary between figure and background disappears.
Malevich called this process "dissolution", a term with Cosmic connotations: "The Cosmos is dissolution. The Earth is a small splitting." Through the dissolution of color by the "white abyss" in Suprematism, the phenomenon of non-material time, linked to non-figurative space, appeared more often. In a 1918 poem, Malevich developed this idea:
"Each shape has a real type of time and the coloration of colors is the power of the time's oscillation, time's movement creates shape while simultaneously coloring it and consequently the speed of time can be defined by color."
Exhibition:
"Black Square Space" ("Black Square Interpretations", International Digital Art Gallery (D-ART), 22nd International Conference on Information Visualization and 15th Conference Computer Graphics, Imaging and Visualization, University of Salerno, Salerno, Italy, July 10-13, 2018. Organized in London, England. (https://dart20189.wixsite.com/iv-2018/tom-chambers)
