Suprematism posters incorporating Kazimir Malevich's "Black Square", "Red Square", "Black Circle", "White Square", and "Black Cross"

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Suprematism posters incorporating Kazimir Malevich's "Black Square", "Red Square", "Black Circle", "White Square", and "Black Cross".







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MY DEAR MALEVICH (MDM)

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MY DEAR MALEVICH (MDM) This homage to Kazimir Malevich is an affirmation of Tom R. Chambers' "Pixelscapes" as Geometric Abstractionist Art and in keeping with Malevich's Suprematism - the feeling of non-objectivity - the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a portrait (photo) of Kazimir Malevich to find the basic component(s), pixel(s) is the same action as Malevich looking within himself - inside the objective world - for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. And there's a mathematical parallel between Malevich's primitive square ("Black Square") ... divided into four, then divided into nine ("Black Cross") ... and Chambers' "Pixelscapes" . The pixel is the most basic component of any computer graphic, and it can be represented by 1 bit (a 1 if the pixel is black, or a ...
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DSGA Video with Narration

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 DSGA Video with Narration https://digsup.my.canva.site/dsga-web https://chambersarts.godaddysites.com/ Tom R. Chambers is a visual artist, and he is currently working with the pixel as ​Suprematist/Geometric Abstractionist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ​("Black Square Interpretations"). His "My Dear Malevich" project has received international acclaim, ​and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" ​exhibition in conjunction with the "100 Years of Suprematism" conference at the Atrium Gallery, ​Harriman Institute, Columbia University, New York City (2015). During the early 2000s, Chambers began to look at the pixel within the context of ​Suprematist/Geometric Abstractionist Art. He equated the pixel with the works of non-objective ​artists like Wassily Kandinsky, Kazimir Malevich, Josef Albers, Barnett Newman, Mark Rothko, Ad ​Reinhard...
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The Pixel as a Facsimile of Josef Albers' Square

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These pixel configurations are from Tom R. Chambers' "Digital Suprematism - Geometric Abstraction" project, and they are in keeping ... a facsimile ... with Josef Albers' "Square". Albers' teaching methodology, prioritizing practical experience and vision in design, had a profound impact on the development of postwar Western visual art, while his book  Interaction of Color , published in 1963, is considered a seminal work on  color theory .   In addition to being a teacher, Albers was an active  abstract painter  and theorist, best known for his series  Homage to the Square , in which he explored chromatic interactions with nested squares, meticulously recording the colors used.  In this rigorous series, begun in 1949, Albers explored  chromatic interactions  with nested squares. Usually painting on  Masonite , he used a  palette knife  with oil colors and often recorded the colors he used on the back of his works. Each paintin...
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