Suprematism posters incorporating Kazimir Malevich's "Black Square", "Red Square", "Black Circle", "White Square", and "Black Cross"

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Suprematism posters incorporating Kazimir Malevich's "Black Square", "Red Square", "Black Circle", "White Square", and "Black Cross".







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MY DEAR MALEVICH (MDM)

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MY DEAR MALEVICH (MDM) This homage to Kazimir Malevich is an affirmation of Tom R. Chambers' "Pixelscapes" as Geometric Abstractionist Art and in keeping with Malevich's Suprematism - the feeling of non-objectivity - the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a portrait (photo) of Kazimir Malevich to find the basic component(s), pixel(s) is the same action as Malevich looking within himself - inside the objective world - for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. And there's a mathematical parallel between Malevich's primitive square ("Black Square") ... divided into four, then divided into nine ("Black Cross") ... and Chambers' "Pixelscapes" . The pixel is the most basic component of any computer graphic, and it can be represented by 1 bit (a 1 if the pixel is black, or a ...
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DSGA - Oblique ("Flyovers")

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O blique views ... "flyovers" ... of some of the art pieces from Tom R. Chambers' "Digital Suprematism - Geometric Abstraction" series (DSGA) ( https://digsup.my.canva.site/ ). The following courtesy of: "Aero‐Art, The Planetary View: Kazimir Malevich and Lazar Khidekel", Charlotte Douglas; reprinted from "Lazar Khidekel and Suprematism", Regina Khidekel, editor (New York, Munich, London: Prestel, 2014) (pages 27 – 33): "Kazimir Malevich had been concerned about flight for six or seven years before moving to Vitebsk in 1919. The public's passion for airplanes and flying began around 1908. The spreading craze for flight early in the new century led people in Russia and the Western world to find themselves strangely unhooked from the Earth and ever more gazing down upon the abstract patterns of towns, field and rivers." The enlarged and oblique views of the DSGA art pieces provide slanting or inclined in direction or course or pos...
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BSI-7/BLACK SQUARE MERGE: NATURE

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BSI-7/BLACK SQUARE MERGE: NATURE This project is a continuation of Chambers' experimentation with Kazimir Malevich's "Black Square" and Suprematism. He merges photographs of Nature with "Black Square" to create a zone of Suprematism via the pixel(s). The merge results in a loss of color (variations of gray including achromatic grayscale shades, which lie between white and black colors). The project is in keeping with Malevich's Suprematism - the feeling of non-objectivity - the creation of a sense of bliss and wonder via abstraction. "Black Square Merge: Nature" becomes one of homage a second time - first, "My Dear Malevich" - by utilizing photographs of Nature to explore at the pixel level - transformation into aesthetic fields of "Pixelscapes" via the merge of Malevich's "Black Square" - to rekindle his thoughts about creation. He states, "No phenomenon is mortal, and this means not only ...
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