DS - Cross

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MY DEAR MALEVICH (MDM)

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MY DEAR MALEVICH (MDM) This homage to Kazimir Malevich is an affirmation of Tom R. Chambers' "Pixelscapes" as Geometric Abstractionist Art and in keeping with Malevich's Suprematism - the feeling of non-objectivity - the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a portrait (photo) of Kazimir Malevich to find the basic component(s), pixel(s) is the same action as Malevich looking within himself - inside the objective world - for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. And there's a mathematical parallel between Malevich's primitive square ("Black Square") ... divided into four, then divided into nine ("Black Cross") ... and Chambers' "Pixelscapes" . The pixel is the most basic component of any computer graphic, and it can be represented by 1 bit (a 1 if the pixel is black, or a ...
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DSGA Video with Narration

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 DSGA Video with Narration https://digsup.my.canva.site/dsga-web https://chambersarts.godaddysites.com/ Tom R. Chambers is a visual artist, and he is currently working with the pixel as ​Suprematist/Geometric Abstractionist Art ("Pixelscapes") and Kazimir Malevich's "Black Square" ​("Black Square Interpretations"). His "My Dear Malevich" project has received international acclaim, ​and it was shown as a part of the "Suprematism Infinity: Reflections, Interpretations, Explorations" ​exhibition in conjunction with the "100 Years of Suprematism" conference at the Atrium Gallery, ​Harriman Institute, Columbia University, New York City (2015). During the early 2000s, Chambers began to look at the pixel within the context of ​Suprematist/Geometric Abstractionist Art. He equated the pixel with the works of non-objective ​artists like Wassily Kandinsky, Kazimir Malevich, Josef Albers, Barnett Newman, Mark Rothko, Ad ​Reinhard...
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BLACK SQUARE DISPLACEMENT - Utilization of Kazimir Malevich's Artworks, 1900-1914

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BLACK SQUARE DISPLACEMENT - Utilization of Kazimir Malevich's Artworks, 1900-1914. Kazimir Malevich's "Black Square" is utilized as a transformational zone to displace his artworks, 1900-1914. These artworks were created prior to his Suprematism and "Black Square". Malevich might approve of this treatment since he became bored with most, if not all, art movements and their creations. More than likely, he looked back on his early artworks ... including his Cubist experimentations ... in the same manner, and probably wondered why he had not reached the Suprematist state sooner. To displace is to move or shift into a new position or place, both in a concrete and in an abstract sense. This shift in the following "Black Square Displacement" images transforms Malevich's artworks into abstractions that go beyond the art movements ... Impressionism, Pointillism, Symbolism, Post-Impressionism, Cloisonnism, Art Nouveau (Modern), Fauvism, Naïve Art (Primi...
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