DSGA - Oblique ("Flyovers")

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Oblique views ... "flyovers" ... of some of the art pieces from Tom R. Chambers' "Digital Suprematism - Geometric Abstraction" series (DSGA) (https://digsup.my.canva.site/).

The following courtesy of:
"Aero‐Art, The Planetary View: Kazimir Malevich and Lazar Khidekel", Charlotte Douglas; reprinted from "Lazar Khidekel and Suprematism", Regina Khidekel, editor (New York, Munich, London: Prestel, 2014) (pages 27 – 33):
"Kazimir Malevich had been concerned about flight for six or seven years before moving to Vitebsk in 1919. The public's passion for airplanes and flying began around 1908. The spreading craze for flight early in the new century led people in Russia and the Western world to find themselves strangely unhooked from the Earth and ever more gazing down upon the abstract patterns of towns, field and rivers."
The enlarged and oblique views of the DSGA art pieces provide slanting or inclined in direction or course or position, neither parallel nor perpendicular nor right-angled ... similar to low-flying, forward views of the terrain.


















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