"Black Circle" DSGA

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Tom R. Chambers works with his "Digital Suprematism - Geometric Abstraction" (DSGA) project ( https://digsup.my.canva.site/dsga ) by placing the art pieces within Kazimir Malevich's "Black Circle" zone. The pieces become rounded due to the zonal effect ("gravitation"), and they "drop" to the center-bottom of "Black Circle". Malevich's "Black Circle" is configured onto a white background close to its original positioning in 1915.

Kazimir Malevich's "Black Circle" depicts a monumental black circle floating on a flat white background. It is, along with his "Black Square" of 1915, one of his most well-known early works in this field, depicting pure geometrical figures in primary colors. The motif of a black circle was displayed in December 1915 at the '0.10' Exhibition in St. Petersburg, Russia. The exhibition coincided with the publication of his manifesto "From Cubism to Suprematism" and launched the radical Suprematism movement.
Malevich described the painting, along with the similar "Black Square" and "Black Cross" (both 1915), in spiritual terms; "new icons" for the aesthetics of modern art, and he believed that their clarity and simplicity reflected traditional Russian piety. (Wp)


Several of the "Black Circle" DSGA pieces are seen within a gallery wall simulation.






















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